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Table of Contents

POZ In Asia

Oh, Suzana!

Medicine Masala

Southern Exposure

Postcards from the Edge

Mailbox

Something Suspect In The Air

IMF’d Up, Man!

NEG/POS

Catching Up With…

Everybody CAREs

The Doll Factory

Bubblegum Sex Wars

Shout Out

Security Risk

Fire And Brimstone

Bodies In Motion

Books

Smoke and Mirrors

Foo For Thought

Bookmark This

Hoyas' Helping Hands

On Writing It

Egypt's Time Is Now

Milestones

Dellums For Dollars

Bite The Bullet

It’s Alright, Ma

The Lost Day

An International Incident

POZ In Asia (Introduction)

POZ In Asia (City Profiles)

Getting Testy

Herb Of The Month

Holy Hormones

Cramping Your Style

Comfort Zone

All The Tea In China

Smear No Evil

East Meets West

$64K Question

7.17.85: Rock Our World



Most Popular Lessons

The HIV Life Cycle

Shingles

Herpes Simplex Virus

Syphilis & Neurosyphilis

Treatments for Opportunistic Infections (OIs)

What is AIDS & HIV?

Hepatitis & HIV



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July 2000


On Writing It

by Kenny Fries

One of my proudest achievements is having received the Gregory Kolovakos Award for AIDS Writing for The Healing Notebooks, my early poems about how HIV invades a relationship. So why, as I apply for yet another teaching position, do I hesitate, wondering what a faculty search committee will make of those four letters—
A-I-D-S—on my résumé?

According to the Oxford American Dictionary, stigma is defined as “a mark of shame, a stain on a person’s good reputation.” Having a congenital disability (I was born without bones in my lower legs), I am used to unwanted, unwarranted and inappropriate attention. I’ve learned to act and write in ways that refute the image of the “asexual disabled man.”

So what troubles me about those four letters on the résumé in the envelope waiting for the mail carrier? What assumption do I assume will be made? That I have AIDS.

I see that the mail carrier has taken the envelope, leaving today’s mail in its place. I drop the mail on my desk and go for my late-afternoon nap.

I dream of the English department chair who will open the envelope. “What does A-I-D-S mean to you?” he asks, saying each letter separately.

“I’m wondering what it means to you?” I am unable to say.

“I’ve spent my life trying to detach people from the idea that disability is a reminder of their impending death,” I finally say, in the academic manner I hope will impress. And then, suddenly, I’m alone.

“Does AIDS mean death to you?” my ex-lover, Jason, for whom I wrote The Healing Notebooks, asks me. “You thought I’d be dead by now, didn’t you?”

“That was 12 years ago,” I say.

The ring of my phone wakes me. A hang-up. Not even an hour has passed since I fell asleep. The winter sun has already begun its descent.

Getting up, I am disoriented. A month ago, I ran into Jason’s friend Margot in New York City. Margot had written me saying I should be ashamed of writing about Jason’s HIV status in The Healing Notebooks. On the street at rush hour, she asked me if I had heard from Jason. “Not since he came to my reading,” I said.

 “That must have been three years ago.”

I riffle through the mail. Another rejection. Were those four letters on my résumé the reason I did not match their needs? “One of these days,” I think, “I’m going to take those four letters, along with the award, off my résumé—just to see what happens.”

“What does A-I-D-S mean to you?” The interviewer’s question drowns out the TV news as I start dinner. Those four letters mean change and loss and taking risks and needing to be loved and chance and getting sick and writing honestly and having sex and needing help and getting better and needing to love. “They mean L-I-F-E,” I wish I had told him.  



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