I checked my T-cells before we started last year and now that
we're finally done with post-production, I'm afraid to check them
again," says Gregory Hinton, the exhausted executive producer of
MGM/United Artists' upcoming film It's My Party. Written and
directed by Randal Kleiser (Grease, The Blue Lagoon, Summer Lovers),
Party is the fourth major studio movie that deals with AIDS and the
only one slated for release in 1996.
At 42, Hinton speaks enthusiastically about Hollywood and his
career as a producer who happens to be openly gay and HIV positive.
"When I arrived in LA in the early '80s, it was a dream town. In New
York, people ask you where you went to college, who your family is
-- they want references. In LA no one cares. I thought it would be
impossible to get into the industry, but I went from handling a
hotel renovations business deal to raising money in Texas for a
horror flick called Initiation, which starred Vera Miles and
introduced Daphne Zuniga [now of Melrose Place fame]."
Hinton discovered that he loved producing and being surrounded by
an eclectic cast of characters. His early projects included the
Roger Corman film Vendetta, Mistress featuring Robert DeNiro, and
his personal favorite: Reform School Girls starring mohawked
Plasmatics lead singer Wendy O. Williams. "She was sweet, polite and
tough," Hinton gushes fondly, "she wanted to do her own stunts."
It was shortly after he wrapped that soon-to-be cult classic in
1986 that Randal Kleiser, who was finishing up Disney's Flight of
the Navigator, hired Hinton to manage his business affairs, sight
unseen. Hinton came very highly recommended by a mutual associate,
decorator to the stars and Kleiser's ex-lover -- Harry Stein, whose
life inspired the story for It's My Party.
Thus began a wonderful 10-year professional relationship managing
Kleiser's multi-picture contract with Disney (a contract that has
produced films as varied as White Fang, Honey I Blew Up The Kid and
Big Top Pee-wee). Kleiser's non-exclusive deal with Disney has also
allowed him to collaborate with Hinton on independent projects like
1987's North Shore and 1989's Getting It Right. But when Kleiser
decided to take on what some have called the biggest risk of his
career -- bartering on his reputation and clout to bring It's My
Party to the big screen -- Hinton was thrown for a loop.
"The truth isn't always entertaining, but the movie -- which is
really less about AIDS than assisted death -- is testing incredibly
well," says Hinton with a touch of pride. "I really want people to
see the movie, but..." he adds with a sigh, "I considered leaving
the film because I was and still am extremely uncomfortable with the
ethical issues surrounding assisted death."
In Party, the fictional character of Nick Stark, a successful HIV
positive architect played by actor Eric Roberts, decides to end his
life the way he's lived it -- with vitality and joy, surrounded by
loved ones (played in the film by a diverse cast including Lee
Grant, Marlee Maitlin, Margaret Cho, Olivia Newton-John, Bruce
Davison and Roddy McDowell) at a two-day farewell party. He ties up
all his loose ends and takes his life by swallowing a handful of
"Ultimately, I stayed with the film because it advocates choice,
but what is shocking to me about the movie is you have a completely
physically well HIV positive person whose doctor tells him that he
has PML. He decides on assisted suicide because he will not allow
the disease to 'take his dignity' -- this is a phrase we hear a lot
and I'm deeply disturbed by its implications.
"PWAs are a community that has to keep going. How does the film
inspire that?" As Hinton begins to open up, it turns out that not
only is the subject very emotional for him, but it's one he can
speak about with an acute sensitivity born of experience. He's
asymptomatic, runs daily around the reservoir in LA, and has had no
major opportunistic infections, but Hinton lost both his father and,
more recently, his mother to lung cancer.
"I abhor physical suffering of any kind and I'm against life
support systems which prolong life in a vegetative state. My own
philosophy concurs with that of the hospice movement where a
terminally ill patient can opt to abstain from further treatments in
a pain-free and emotionally supportive environment. Hospice care is
not an exact science, but assisted suicide is far less so. I admit
to thinking about suicide, but desperation would be my motivating
factor and this enrages me. As assisted suicide pertains to AIDS, I
am fearful that certain political agendas in this country prefer
that PWAs take their lives. I'd rather have a cure."
Now that Party is complete and touring the festival circuit,
Hinton can relax and focus on his latest project, the novel he's
always wanted to write. "I've been out because I've wanted more
people to know someone with AIDS and I haven't been hurt by it -- it
didn't prevent me from having my career or the love I wanted. I've
done my work, so now I can write my book because I finally feel like
I have enough life experience."