June / July #2 : Pas de Deux - by Richard Perez-Feria

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Table of Contents

S.O.S.

Bill T. Jones On Top

How TB Came Back

Remembering Rudy

Home HIV Testing Is Near

Home Free?

Strubco and the Home Test

Community Support?

C'est Magnifique!

Marlon Riggs, 37

Pas de Deux

Bad News Barrer

Finnish Your Veggies

Who's Tim McCarthy?

Flex This

POZ VCR

AIDS Law

POZ Biz: The Cure

See No Evil

Tribute

Speaking the Truth

Overheard

Urban Angels

Acting Up

AIDS Zen: Morning

Essay: World AIDS Conference

Animal Farm Redux

Life

Sex

Health

Alternative Health

Media

HIV Standard of Care

Going Home: Gene Schneider



Most Popular Lessons

The HIV Life Cycle

Shingles

Herpes Simplex Virus

Syphilis & Neurosyphilis

Treatments for Opportunistic Infections (OIs)

What is AIDS & HIV?

Hepatitis & HIV


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June / July 1994

Pas de Deux

by Richard Perez-Feria

Learning to dance

The first time I saw Bill T. Jones dance was several years ago as part of Miami Light Project's contemporary perfornace series at the Colony Theater in South Beach. What a night that was. I remember thinking that in Bill T. Jones I was watching someone as fluid as Baryshnikov, as powerful as Villella, as theatrical as Nureyev. Bill T. Jones' sheer physicality and that of his incredibly talented dancers made the evening one I'll never forget.

It is without irony, then that we feature both Bill T. Jones and Rudolph Nureyev in this issue of POZ. In two vastly different but equally revealing stories, these two gifted artists -- one who has lost his battle with AIDS, one who fights on with all he has -- are dissected and interpreted as only a magazine about life with AIDS can do.

Other examples of courage abound in this magazine: Phill Wilson, Sam and Howard Josepher, Tonya Hall, Nita Pippins, Eileen Mitzman, Patrick O'Connell, Florent Morellet, Teddy Kalidas, David Fisch, Tim McCarthy and Gilles Mesrobian provoke, challenge and enlighten us while shepherding us through a confusing haze of misinformation and ignorance. They -- and thousands of people like them -- are the heroes in this war.

Next time you're fortunate enough to see Bill T. Jones perform his angry brilliance or watch an old clip of a sexually defiant Nureyev in Balanchine's Apollo, remember that what drives these men should inspire and lead us out of our own moment of hesitation, complacency and fear.

The beauty and grace so courageously shown by Jones and Nureyev makes for compelling reading, yes. More telling, though, their lives remind all of us to live as if today is all we really have. And isn't that what artists are supposed to do?

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