April #122 : A Virus in Verse - by Walter Armstrong

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Table of Contents
 

Anonymous No More

Editor's Letter-April 2006

Dead Certain?




Tough Breaks

Hepatitis C: New Help Is on the Way

Blowing Smokes

Doctor's Diary-April 2006

Tasty Freeze

Snack Pack

Double Duty

POZ Personals of the Month-April 2006

Toon Darn Hot

Legal Eye-April 2006

Office Politics

Worldwide Web




Up Close and Impersonal

Border Patrol

A Virus in Verse

Oral Fixation

Germ Warfare

Sleeping With the Enemy

The Plot Thickens




Editor's Letter-April 2006

Mailbox-April 2006



Most Popular Lessons

The HIV Life Cycle

Shingles

Herpes Simplex Virus

Syphilis & Neurosyphilis

Treatments for Opportunistic Infections (OIs)

What is AIDS & HIV?

Hepatitis & HIV



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April 2006


A Virus in Verse

by Walter Armstrong

Poet Tory Dent’s Final Howl

From 1988, when poet Tory Dent was diagnosed with HIV, until her death at age 47, on December 30, 2005 from PML—an infection of the central nervous system—AIDS spared her none of its cruelties. And she was just as unsparing in her poetry about the disease. Her third volume of poems, Black Milk, was published just weeks before her death. In it, she likens her own suffering and AIDS to death camps and war. “It was important to Tory to write about AIDS and the physical suffering it caused her, because so few people going through that are capable of communicating it to others,” says her husband Sean Harvey. Her first installment, What Silence Equals, was published in 1993. It unblinkingly expressed the isolation she felt as a straight woman with a “gay” disease. Her second volume, published in 1999, HIV, Mon Amour, details the experience of a series of serious illnesses, including tuberculosis and CMV, which nearly left her blind. With it came prestigious accolades, from a National Book Critics Award nomination to a Guggenheim Fellowship.

Dent’s speaking voice was sweet, eager to please, even laughing, contrasting with her howling and haunting verse. Adrienne Rich, a National Book Award–winning poet, said of her friend in a January tribute, “She was able to convert her rage to live under this verdict of HIV into an art that was actually equal to it.” She cuts off deep thoughts with hallucinatory images induced by extreme physical pain. “Take the needle, arrest the senses / Excise the egg-shaped moon from my field of vision,” she writes of CMV in Black Milk. Dent explained her work in a 2001 interview with POZ: “I could feel myself merge with nature and my body breaking down like a dying animal or a flower into mere matter. That [solidarity] seems to put into perspective what’s valuable in life.” For all their darkness, her poems are a celebration of humanity at its limits, where Dent found not only horror, but love.

Black Milk was published by the Sheep Meadow Press.


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