November #149 : In Their Words - by Kellee Terrell

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Table of Contents
 

Free At Last?

It's a Girl!




Condomless Sex? Maybe Not Yet

Meditation Matters

Boys and Girls Together

Med Alert-November 2008

From the Inside: Strength to Spare

Ritonavir News

A Liver-Cleansing Herb’s Benefits Begin to Bloom

Sweet Spot

Bottoms Up

Starting Out Late?

Eat Well, Pay Little

Is Organic Food Worth the Splurge?

Coats of Many Colors




Prison Break

Ladies First

POS/NEG

Shout Out!

In Their Words

You Said It...

Life’s Rich Pageant

How to... Disclose in the Heat of the Moment




Editor's Letter-November 2008

Your Feedback-November 2008



 
Most Popular Lessons

The HIV Life Cycle

Shingles

Herpes Simplex Virus

Syphilis & Neurosyphilis

Treatments for Opportunistic Infections (OIs)

What is AIDS & HIV?

Hepatitis & HIV


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November 2008


In Their Words

by Kellee Terrell

A new anthology by and for black gay and bisexual men

“The AIDS [community] rarely speaks about black gay and bisexual men, and when they do, they speak for them,” says Pato Hebert, associate director of education at the AIDS Project Los Angeles (APLA). To reverse this dynamic, APLA published To Be Left With the Body—a collection of prose, poetry, essays and photography that gives voice to 16 artists of color. The compilation explores topics ranging from homophobia and racism to antiretrovirals and self-love.

Given that in parts of the United States, almost half of all black men who have sex with men (MSM) are HIV positive, Hebert stresses we must view this epidemic through a different lens—the lens of those who are disproportionately affected. “We understand HIV from a biological point of view, but we want to look at the social, spiritual and cultural context of how [the disease] impacts these men’s lives.” He hopes the artists’ contributions provide insight on how to better prevent other black MSM from contracting HIV.

Download a free copy, or request that one be mailed to you, at apla.org.

Search: black men, AIDS, To Be Left With the Body, Pato Hebert


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