I'm standing in the squat rack between sets, brooding over my fallingT-cell count and rising viral load. When my labs are good, so are myspirits. When they're bad, a trap door opens at my feet. I somersaultthrough interplanetary darkness without coordinates, without direction.My mind is my enemy. Little things get under my skin. Like the airconditioner in the ceiling 50 feet away blowing cold air on my neck. Rudolf Nureyev was freaked out about drafts, too, I think. Look what happened to him.

Oppositeme, golden legs spread-eagled on the abductor machine, is one of themost beautiful women I have seen in months. Her arched eyebrows andtaut body—thigh muscles straining and flexing—give her a hypnoticpower. I smile, trying not to stare. She smiles back, lifts herself outof the machine, takes a swig from her water bottle and glides away. Acouple of guys gawk and comment out of the side of their mouths. I knowwhat they're saying. She's wearing flimsy cotton short shorts that sayNEW on the left cheek, YORK on the right and CITY in the sweaty gap inbetween. As if summoned by radar, her boyfriend, a big guy in a redT-shirt, materializes, looking protective and slightly menacing. Theykiss and make plans.

I start my next set, and my mind returns to my labs. A doctor in a white smock—substituting for my regular MD—blurted them out.

“I told you people I don't wanna know the numbers,” I said.

“I'm sorry, but nobody told me.”

“That should be noted in my file, in bold type. Please write it down!”

Myregular doctor and I had a pact. He didn't tell me my numbers unless myhealth took such a dire turn that I'd have to try new meds. I prefer toremain in the dark and avoid the mood swings, avoid the self-imposedtorture bad news can cause, avoid thoughts like I could never have a woman like that.

The woman like that now settles into the adductor machine, this time pushing her legs outward, flashing imaginary beaver. She's selling herself. She should have a barcode, instead of a tattoo, at the base of her spine.I finish my set and walk over. “I drove a cab in New York,” I say. “Ithought I knew the city pretty well, but apparently there are someplaces I've never been.” She reddens and leaves without a word. I walkback to the squat machine and start my next set. 

I'mstanding on a platform stretching my Achilles when I see him out of thecorner of my eye—the guy in the red T-shirt, about 6 foot 3. I listencalmly to the piped-in music and the clangor of slamming iron. In thegentle drizzle of my endorphins, I accept the inevitability of thisconfrontation. He wastes no words. “My girlfriend told me what yousaid. You need to learn how to respect women.”

I look down blankly from the platform. “I thought what I said was pretty witty,” I reply.
 
Welock eyes. I can feel the rage in me growing, ready to tear loose andsend me to jail. I can see the energy that started all this, bituminousand base, born of resentment. And I can read the consequences offurther negativity.

“What I did was crude,” I say. “I knew it assoon as the words left my mouth. Tell her I'm sorry. Better yet, I'lltell her myself.”

“She doesn't want to talk to you.”

“OK, then tell her...” I pause. Something wells up in me, feelings that have been just out of reach for days: AIDS is not a death sentence. You are not a plague carrier. You are not a pariah.

 “Tell her I could have phrased it better, but I think she's beautiful.”


For information on M.C. Mars' debut novel, Don't Take Me the Long Way, seePOZ Picks.”